Unfortunately, there isn’t a designated knob for input level, therefore you have to rely on MIDI CC for 0 to 200 percent gain. Your sound is now sent to a three channel mixer section, the two oscillators and any external sound you input via the 1/4″ audio input. This is quite useful when detuning in order to maximize the sonic character. It resets the phases of both oscillators when a Note On message is received, allowing your to reboot the phase at the start of each note. One of the Jedi Powers of the Minitaur, that’s somewhat undercover, is a parameter in the oscillator section dubbed, Note Sync. You can detune VCO2 against VCO1 by up to +/- 12 semitones, and fine-tune the whole instrument within a range of +/- one semitone. The Minitaur boasts two oscillators that can generate either Sawtooth or Square waves. The front panel of the Moog Minitaur synthesizer Even though the Minitaur’s pedigree is fat analog bass sounds, it can also be used for screaming leads, big brass and other sonic signatures that go far beyond your simple analog bass synth. It includes the updated Editor, which allows you to “get under the hood” of the synth revealing additional magical powers. The Minitaur has a small footprint, but is big on sound and features. Moog Music recently updated their most affordable synth, the Minitaur, and we got our grubby hands on it for a workout.
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